Agatha's Husband: A Novel by Dinah Maria Mulock Craik

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Craik, Dinah Maria Mulock, 1826-1887 Craik, Dinah Maria Mulock, 1826-1887
English
If you love stories about quiet strength and the real work of marriage, you need to meet Agatha. This isn't your typical Victorian romance. Agatha, a wealthy young woman, marries the seemingly perfect Major Harper. But her fortune is the real prize, and her new husband is a stranger with secrets. The story follows her journey from a sheltered girl to a woman who must find her own voice and courage within the confines of her marriage. It's a surprisingly sharp look at power, trust, and what it means to truly know someone. Forget grand ballrooms—the real drama here happens in the drawing room and the heart.
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serious; she evidently felt such an irresistible propensity to laugh. “Now,” continued she, turning the conversation, and putting on a dignified aspect, which occasionally she took it into her head to assume, though more in playfulness than earnest--“now let me tell you who you will meet here at dinner to-day.” “Major Harper, of course.” “I do not see the 'of course' Mrs. Thornycroft,” returned Agatha, rather sharply; then, melting into a smile, she added: “Well, 'of course,' as you say; what more likely visitor could I have than my guardian?” “Trustee, my dear; guardians belong to romances, where young ladies are always expected to hate, or fall in love with them.” Agatha flushed slightly. Now, unlike most girls, Miss Bowen did not look pretty when she blushed; her skin being very dark, and not over clear, the red blood coursing under it dyed her cheek, not “celestial, rosy red,” but a warm mahogany colour. Perhaps a consciousness of this deepened the unpleasant blushing fit, to which, like most sensitive people at her age, she was always rather prone. “Not,” continued Mrs. Thornycroft, watching her,--“not that I think any love affair is likely to happen in your case; Major Harper is far too much of a settled-down bachelor, and at the same time too old.” Agatha pulled a comical face, and made a few solemn allusions to Methuselah. She had a peculiarly quick, even abrupt manner of speaking, saying a dozen words in the time most young ladies would take to drawl out three; and possessing, likewise, the rare feminine quality of never saying a word more than was necessary. “Agatha, how funny you are!” laughed her easily-amused friend. “But, dear, tell me who else is coming?” And she glanced doubtfully down on a gown that looked like a marriage-silk “dyed and renovated.” “Oh, no ladies--and gentlemen never see whether one is dressed in brocade or sackcloth,” returned Agatha, rather maliciously;--“only, 'old Major Harper' as you are pleased to call him, and----” “Nay, I didn't call him very old--just forty, or thereabouts--though he does not look anything like it. Then he is so handsome, and, I must say, Agatha, pays you such extreme attention.” Agatha laughed again--the quick, light-hearted laugh of nineteen--and her brown eyes brightened with innocent pleasure. Young Mrs. Thornycroft again looked down uneasily at her dress--not from overmuch vanity, but because her hounded mind recurred instinctively from extraneous or large interests to individual and lesser ones. “Is there really any one particular coming, my dear? Of course, _you_ have no trouble about evening dress; mourning is such easy comfortable wear.” (Agatha turned her head quickly aside.) “That handsome silk of yours looks quite well still; and mamma there,” glancing at the contentedly knitting Mrs. Hill--“old ladies never require much dress; but if you had only told me to prepare for company----” “Pretty company! Merely our own circle--Dr. Ianson, Mrs. Ianson, and Miss Ianson--you need not mind outshining her now----” “No, indeed! I am married.” “Then the 'company' dwindles down to two besides yourselves; Major Harper and his brother.” “Oh! What sort of a person is the brother?” “I really don't know; I have never seen him. He is just come home from Canada; the youngest of the family--and I hate boys,” replied Agatha, running the sentences one upon the other in her quick fashion. “The youngest of the family--how many are there in all?” inquired the elder lady, her friendly anxiety being probably once more on matrimonial thoughts intent. “I am sure, Mrs. Hill, I cannot tell. I have never seen any of them but Major Harper, and...

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The Story

Agatha is a young woman with a large inheritance. She marries Major Harper, a man who appears honorable and kind. But after the wedding, things change. Agatha slowly realizes her husband married her for her money, and he begins to control her life and her fortune. The novel follows Agatha as she wakes up to this harsh reality. She's trapped in a marriage built on deception, and she must navigate her husband's coldness and manipulation. The central question isn't about finding love, but about how Agatha finds her own strength and moral compass when the person she should trust most has betrayed her.

Why You Should Read It

This book grabbed me because Agatha feels so real. She's not a fiery rebel from page one. Her growth is slow, painful, and utterly believable. Craik writes about the domestic space with incredible tension. A conversation over tea can feel like a battle. It's a powerful look at how women in that era could be financially powerful yet socially powerless. The story asks tough questions about duty, integrity, and whether a marriage without respect can—or should—survive. It's less about romance and more about the anatomy of a broken partnership.

Final Verdict

Perfect for readers who enjoy character-driven stories from the 1800s that still feel relevant. If you liked the emotional depth of Austen but want something with a darker, more psychological edge, this is your next read. It's for anyone who believes the quietest stories about women's lives can often be the most revolutionary.



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From start to finish, the plot twists are genuinely surprising without feeling cheap or forced. I finished this feeling genuinely satisfied.

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