Champavert: contes immoraux by Pétrus Borel

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Borel, Pétrus, 1809-1859 Borel, Pétrus, 1809-1859
French
Ever wondered what happens when someone decides to flip the script on polite 19th-century French society? That's Pétrus Borel's 'Champavert: Immoral Tales' in a nutshell. This book isn't a gentle stroll through a moral garden—it's a defiant march into the shadows. Forget the heroes; here, you'll meet outcasts, rebels, and cynics who challenge every rule. The main conflict isn't between good and evil in the usual way, but between a rigid, hypocritical world and the raw, often ugly, human passions it tries to suppress. It's a collection of short stories that feel like secret, forbidden whispers from the past. If you're tired of predictable plots and want something that genuinely feels dangerous and different, give this a try. Just don't expect to come away feeling warm and fuzzy.
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—Les erreurs clairement introduites par le typographe ont été corrigées. —On a conservé l’orthographie de l’original, incluant ses variantes. —La table des matières a été rajoutée dans ce livre électronique. —Les lettres écrites au-dessus ont étées representées ainsi: a^b et a^{bc}. CHAMPAVERT Bruxelles.—Imprimerie de E. J. CARLIER, rue des Minimes, 51. [Illustration] CHAMPAVERT CONTES IMMORAUX PAR PETRUS BOREL LE LYCANTHROPE AVEC FRONTISPICE A L’EAU-FORTE DE M. ADRIEN AUBRY [Illustration: LOGO] BRUXELLES J. BLANCHE, LIBRAIRE 11, RUE DE LOXUM, 11 1872 TABLE DES MATIÈRES PAGE NOTICE SUR CHAMPAVERT v MONSIEUR DE L’ARGENTIÈRE, L’ACCUSATEUR 1 I. ROCCOCO 3 II. WAS-IST-DAS? 15 III. MATER DOLOROSA 21 IV. MOISE SAUVÉ DES EAUX 29 V. VERY WELL 37 JAQUEZ BARRAOU LE CHARPENTIER - LA HAVANE 45 I. PESADUMBRE Y CONJURACION 47 II. EL CORAZON NO ES TRAYDOR 55 III. TRAYCION Y TRAYCION 59 IV. A LAS ORACIONES 67 DON ANDRÉA VÉSALIUS L’ANATOMISTE - MADRID 71 I. CHALYBARIUM 73 II. SALTATIO, TURBA, MORS 79 III. QUOD LEGI NON POTEST 85 IV. NIDUS ADULTERATUS 91 V. OPIFICINA 95 VI. ENODATIO 97 VII. AFFABULATIO 101 THREE FINGERED JACK L’OBI - LA JAMAIQUE 103 I. NEXT NIGHT, AT THE THREE PALM-TREES 105 II. VOICES IN THE DESERT 111 III. HATSARMAVETH, ABRAHAM, WESTMACOT 115 IV. TIRESOME CHAPTER 121 V. HOUND’S FEE 127 VI. BLOOD’S REWARD 133 DINA LA BELLE JUIVE - LYON 139 I. AMOUR É RÂSCO, RËGARDO PA OUNTË S’ÂTACO 141 II. ACO’S LA CANSON DË L’AGNEL BLAN 151 III. LOU GAL RËMËNO L’ALO 161 IV. PLOUJHAS DË MARSELHA 167 V. MELH ËS NOCËIAR QË ËSSËR USCLAT 169 VI. LANGHIMEN 181 VII. OUSTÂOU PAIROLAOU 191 VIII. BËNËZETS LOS MALDISORS DË VOS 195 IX. BOURDËSCÂDO 197 X. ESCUMERGAMËN 201 XI. DÔOU 207 XII. GOUDOUMAR! GOULLAMAS! 209 XIII. GOLGOTHA 211 PASSEREAU L’ÉCOLIER - PARIS 215 I. CARABINS 217 II. MARIETTE 227 III. PERFIDE COMME L’ONDE 237 IV. ALBERT PATROCINE 243 V. INCONGRUITÉ 251 VI. AUTRE INCONGRUITÉ 263 VII. AH! C’EST MAL! 271 VIII. FIN TRÈS NATURELLE 283 CHAMPAVERT LE LYCANTHROPE - PARIS 299 I. TESTAMENT 301 II. EDURA 313 III. FLAVA 319 IV. DAMNATION 325 V. DE PROFUNDIS 333 NOTICE SUR CHAMPAVERT C’est toujours un pénible emploi que celui de _détrompeur_, c’est toujours une pénible corvée que celle de venir enlever au public ses douces erreurs, ses mensonges auxquels il s’est fait, auxquels il a donné sa foi; rien n’est plus dangereux que de faire un vide dans le cœur de l’homme. Jamais je ne me hasarderai à une aussi scabreuse mission. Croyez, croyez, abusez-vous, soyez abusés!... L’erreur est presque toujours aimable et consolatrice. Malgré tout cet éloignement, ma religieuse sincérité, aujourd’hui, me fait un devoir de démasquer une supercherie, heureusement sans importance, une pseudonymie. De grâce, veuillez bien ne point vous emporter, comme vous le faites de coutume, quand on vient vous dire que la _Clotilde de Surville_ n’a pas été, que son livre est apocryphe; que la correspondance de _Ganganelli_ et _Carlino_ est apocryphe; que _Joseph Delorme_ est un pseudographe et sa biographie un mythe. De grâces, de grâces! je vous en supplie, ne vous emportez point!... Pétrus Borel s’est tué ce printemps: prions Dieu pour lui, afin que son âme, à laquelle il ne croyait plus, trouve merci devant Dieu qu’il niait, afin que Dieu ne frappe pas l’erreur du même bras que le crime. Pétrus Borel, le _rhapsode_, le _lycanthrope_, s’est tué, ou pour dire la vérité que nous avons promise, le pauvre jeune homme qui se recélait sous ce sobriquet, qu’il s’était donné à peine au sortir de l’enfance; aussi, peu de ses camarades connurent-ils son véritable nom; aucun ne sut jamais la cause de ce...

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Pétrus Borel, nicknamed 'The Lycanthrope' (which basically means 'wolf-man'), wasn't writing to make friends in 1830s Paris. Champavert: Immoral Tales is his rebellion in book form. It's a series of short stories that completely ignore the era's love for noble heroes and happy endings.

The Story

There isn't one single plot. Instead, you get a handful of separate, intense tales. They star characters like the bitter poet Champavert himself, historical figures twisted into villains, and everyday people pushed to extreme acts. The stories aren't about grand adventures; they're about obsession, revenge, madness, and the crushing weight of social expectations. Things get dark—think betrayal, violence, and a deep, simmering anger at the world. It’s less about what happens next, and more about the grim, unsettling mood Borel creates on every page.

Why You Should Read It

This book is a shock to the system. Reading it feels like discovering a hidden, snarling corner of literary history. Borel doesn't ask you to like his characters, but he forces you to see the world through their desperate, fractured eyes. The 'immoral' part isn't just for show—it's a direct attack on the fake politeness and hidden cruelties of his time. The prose is fierce and vivid, full of gothic atmosphere and bitter irony. It’s fascinating as a historical artifact, but it also feels weirdly modern in its embrace of the anti-hero and its refusal to offer easy comfort.

Final Verdict

Perfect for readers who love the darker side of Romanticism, fans of Edgar Allan Poe's vibes, or anyone exploring the roots of transgressive fiction. It's not an easy, relaxing read—it's challenging, gloomy, and deliberately offensive to good taste. But if you're in the mood for a short, potent dose of literary rebellion that hasn't lost its bite after nearly 200 years, Champavert is a unforgettable experience.



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This work has been identified as being free of known copyright restrictions. It serves as a testament to our shared literary heritage.

Michael Wilson
3 months ago

After finishing this book, the explanations are structured in a clear and logical manner. I’ll definitely revisit this in the future.

Liam Harris
1 month ago

I approached this with an open mind and the clarity of explanations makes revisiting sections worthwhile. I’d rate this higher if I could.

Jessica Martin
3 months ago

As part of my coursework, the author anticipates common questions and addresses them well. Thanks for making this available.

Kimberly Hall
4 months ago

I came across this while researching and the arguments are well-supported by credible references. I’ll definitely revisit this in the future.

Margaret Campbell
5 months ago

Simply put, the interplay between the protagonists drives the story forward beautifully. I appreciate the effort put into this.

5
5 out of 5 (5 User reviews )

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